I morti non muoiono

Jim Jarmusch's The Dead Don't Die is a welcome return of the living deadpan

"This is the final shootout scene," says Forrest Whittaker's out-of-time, culturally-crisscrossed urban-hitman-samurai, setting off the final shootout scene of Jim Jarmusch's 1999 film Ghost Dog: The Way of the Samurai. It's the sort of self-conscious, wink-nudge shtick that, circa the turn of the millennium, was very much on-trend and which now feels as hopelessly dated as spaghetti straps and Yankees caps. Jarmusch's latest, the zombie comedy The Dead Don't Die, is shot through with this kind of stuff. [...]

di John Semley, articolo completo (2957 caratteri spazi inclusi) su The Globe and Mail 13 giugno 2019