Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland

Film 2006 | Documentario 100 min.

Regia di Ari Sandel. Un film con Ahmed Ahmed, Peter Billingsley, John Caparulo, Bret Ernst, Justin Long, Sebastian Maniscalco. Cast completo Genere Documentario - USA, 2006, durata 100 minuti.

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Uno show-documentario in cui Vince Vaughn e altri quattro attori girano il paese esibendosi sui palcoscenici di trenta città diverse.

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Kevin Crust
The Los Angeles Times

Its full title may be unwieldy and its humor a tad colorful for a family audience, but "Vince Vaughn's Wild West Comedy Show: 30 Days and 30 Nights -- Hollywood to the Heartland" is surprisingly endearing and chock-full of a genuine appreciation of the moment. The documentary, directed by Ari Sandel, chronicles the monthlong odyssey of Vaughn and four stand-up comedians he recruited from L.

Peter Travers
Rolling Stone

It's a mouthful of a title for a rowdy, ramshackle funfest that flies by on its spirited humor and surprising heart. Back in 2005, Vince Vaughn mounted a comedy tour through what left-and-right coasters condescendingly call the flyover states. His friend Ahmed Ahmed, a standup comic of Egyptian descent, had introduced him to the acts of three friends at the Comedy Store in Los Angeles.

Matt Zoller Seitz
The New York Times

Late in “Welcome Home Roscoe Jenkins,” a comedy about a talk-show host (Martin Lawrence) revisiting his relatives down South, there’s a scene in which characters sit in the family patriarch’s living room playing video games. The scene is already funny because the competitors are playing on a bulky 1977 television while the hero’s recent gift to his father, a flat-screen plasma set, sits unopened [...] Vai alla recensione »

Stephen Holden
The New York Times

The extravagantly titled “Vince Vaughn’s Wild West Comedy Show: 30 Days and 30 Nights — Hollywood to the Heartland” imagines itself a contemporary equivalent of rootin’- tootin’ traveling entertainments like Buffalo Bill’s Wild West Show. That’s a tall comparison to draw. Nothing, not even Cirque du Soleil’s high-tech spectacles, could live up to the reputation of William Cody’s 19th-century touring [...] Vai alla recensione »

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