Chloe - Tra seduzione e inganno

Adapting to Life’s Change, on Screen and Off

ON a frosty March morning here the stars stood still while others orbited around them, as tends to happen on a movie set. An assistant’s arms wrapped Julianne Moore in a lime popsicle-colored parka; someone else crouched below Amanda Seyfried, lifting her blouse to hold a heating pad belt to her torso.
Inside a cavernous restaurant the director Atom Egoyan waited for a small correction in the lighting to begin shooting a scene for his new movie, “Chloe,” which will have its premiere next month at the Toronto International Film Festival. [...]

di Katrina Onstad, articolo completo (11285 caratteri spazi inclusi) su The New York Times 28 Agosto 2009