Repo! The Genetic Opera!

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Indice di gradimento medio del film tra pubblico, critica e dizionari + rapporto incassi/sale (Usa)
 dizionarin.d.
 critican.d.
 pubblicon.d.
Paul Sorvino
Paul Sorvino (82 anni) 13 Aprile 1939 Interpreta Rotti Largo
Paris Hilton
Paris Hilton (40 anni) 17 Febbraio 1981 Interpreta Amber Sweet
Bill Moseley
Bill Moseley (69 anni) 11 Novembre 1951 Interpreta Luigi Largo
Anthony Head
Anthony Head (67 anni) 20 Febbraio 1954 Interpreta Nathan Wallace / Repo Man
Alexa PenaVega
Alexa PenaVega (33 anni) 27 Agosto 1988 Interpreta Shilo Wallace
Dean Armstrong
Dean Armstrong   Interpreta Vittima
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Paris Hilton contro i chirirghi plastici!

Nel 2056 - in un futuro non troppo distante - un'epidemia di disfunzioni organiche sta devastando il pianeta. Dalla tragedia emerge un salvatore: la compagnia GeneCo che offre trapianti d'organi sani a prezzi esorbitanti. Coloro che ricevono gli organi ma non possono permettersi il pagamento incontrano le sevizie del tremendo Repo Man. In un mondo in cui i devoti alla chirurgia sono assueffatti da antidepressivi e in cui l'omicidio non è più un gran crimine per le leggi, una ragazza malata di un morbo raro si lancia alla ricerca della sua famiglia, scomparsa in circostanze misteriose.

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di Peter Travers Rolling Stone

The idea of the director of Saw II, III and IV going at Paris Hilton seems like just revenge for her punishable assaults on acting. In this atonal, faux-arty rock opera about a futuristic bull market in internal organs, Hilton is suitably clueless as Amber Sweet, the daughter of an aria-singing mob boss (Paul Sorvino). Amber trades in her organs like fashion accessories. But a new pancreas costs money. Don't pay, and the Repo Man will tear out your guts. It gets worse, much worse. Talented actors are involved, and I will spare them by not citing their names. »

Playing the Organs

di Nathan Lee The Village Voice

Darren Lynn Bousman, the director of several “Saw” sequels, has devised an excruciating new torture with “Repo! The Genetic Opera.” Set about 50 years hence, this high-concept, tone-deaf musical imagines a dystopian society afflicted by widespread organ failure, biological black markets and spontaneous outbreaks of painfully monotonous rock 'n' roll. Adapted from a theater production with lyrics and music by Darren Smith and Terrance Zdunich, “Repo!” feels destined to please a campy coterie of fans and no one else. »

Opera With Heart (Also Spleen, Liver and Entrails)

di Dave Itzkoff The New York Times

IN the “Saw” horror movies that he has worked on, Darren Lynn Bousman has unflinchingly subjected his characters to excruciating tortures. He has burned them alive, frozen them to death and crushed their skulls in spiky, Venus flytraplike headgear. But what really turns his stomach are movie musicals. “Anything that breaks into song, where they're talking, talking, talking, and then there's a big show number,” Mr. Bousman said, “that I can't handle.” But after writing the screenplay that became “Saw II” ($87 million at the domestic box office in 2005) and directing that film as well as the franchise's third and fourth installments (which earned $80 million and $63 million, respectively), Mr. »

The musical with mayhem is bloody awful

di Mark Olsen The Los Angeles Times

How's this for a future: In the year 2056, which will look like a post-consumer apocalypse, one company will have a monopoly on designer plastic surgery and organ transplants, giving easy financing terms with gruesome, life-ending repossession if payment is not rendered on time. And there will be songs, lots of songs. Adapted by Darren Smith and Terrance Zdunich from their own stage production and directed by Darren Lynn Bousman (whose previous efforts include three of the "Saw" sequels), "Repo! The Genetic Opera" is like a true opera in that the film almost exclusively features singing instead of dialogue. »

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