Sheri Linden
The Los Angeles Times
Like most films that crisscross among a handful of city dwellers to mull contemporary ennui, "$9.99" is less than the sum of its parts. The connective tissue of its episodes and set pieces -- some of which pack a memorable punch -- is not a compelling story line but the painterly physicality of the movie's stop-motion animation.
Transferring short stories by Etgar Keret to an Aussie setting, director Tatia Rosenthal blends character-driven vignettes with magic realism as she weaves through the apartments of a high-rise. [...]
di Sheri Linden, articolo completo (1367 caratteri spazi inclusi) su The Los Angeles Times 12 dicembre 2008
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