Feeling Close to the Surface
di Mike Hale The New York Times
Lee Yoon-ki’s “My Dear Enemy,” which opens on Friday for one week at the Museum of Modern Art, may confound your expectations of a South Korean film: no convoluted flashbacks, no doppelgangers, no puzzling narrative leaps, no violence or sex or ghosts. It’s an artful, slightly absurdist romance, reminiscent of the gender-war comedies of Hong Sang-soo ( “Woman on the Beach” ) but more straightforward, with its meanings, and its feelings, much closer to the surface. [...]
di Mike Hale, articolo completo (1574 caratteri spazi inclusi) su The New York Times 20 Novembre 2009
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