Two men connect through a shared loss
di Kevin Thomas The Los Angeles Times
Yen Tan's "Ciao" is a revelation, a minimalist work of maximum effect. It is determinedly understated and consistently expressive, beautifully composed yet never studied.
In the process of filming Yen discovered, as had the Japanese master Yasujiro Ozu long ago, the power of holding a shot after his actors had exited a scene to evoke a sense of longing and loss. [...]
di Kevin Thomas, articolo completo (1340 caratteri spazi inclusi) su The Los Angeles Times 26 dicembre 2008
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