Even if You Do Great Art, the Bills Must Still Be Paid
di Matt Zoller Seitz The New York Times
The talking-heads-with-clips format so dominates the contemporary nonfiction film that Daniel Kraus's “Musician” feels radically fresh: It simply observes its title character, the avant-garde jazz musician Ken Vandermark, in the manner of a 1960s fly-on-the-wall documentary like “Salesman.”
“Musician” is a follow-up to Mr. Kraus's similarly austere “Sheriff” and the latest in a projected series of features about people doing their jobs, shot and edited with the same inquisitive spirit that defined Studs Terkel's oral history “Working. [...]
di Matt Zoller Seitz, articolo completo (1421 caratteri spazi inclusi) su The New York Times 5 settembre 2007
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