Sin Nombre

Sin nombre ha una storia da raccontare, claro per la mala salvatruce. parla di ragazzi che sono supposti esser grandi e come tali commettono un' infinità di errori. Un film mille miglia lontano dal nostro europeo racccontare, senza l' aiuto storiografico del periodo dittatura o stile thriller americano, strategie che spesso adottano i film sudamericani.

D'un coup, on prend conscience d'une histoire, loin de nous. La mort du photographe et cinéaste Christian Poveda, juste avant que son film La Vida loca ne sorte, a donné une réalité à la puissance des "maras", bandes criminelles d'Amérique centrale, nées à la fois des guerres civiles de la région et de l'expulsion massive d'immigrés latino-américains des Etats-Unis.

There is much strange beauty in the poverty and desperation captured by "Sin Nombre," an evocative and impressive first feature from writer-director Cary Joji Fukunaga tracing both the journey north taken by so many from Mexico and Central America and the gang violence that stunts the lives of the many others who stay behind. The film begins with Casper (Edgar Flores), one of the countless teenagers [...] Vai alla recensione »

The caressing, honeyed light in “Sin Nombre” beautifies and softens every ugly moment in this equivocating (inspirational yet hard-boiled) story about geographic and moral border crossings. Written and directed by the young American Cary Joji Fukunaga making his feature debut, the film comes with a veritable certificate of authenticity: it was shot in Mexico and is performed in Spanish by Latin American [...] Vai alla recensione »