Amer

Consistently outrageous and relentlessly surreal, the Belgian film is, intentionally or not, frequently funny; it's also compelling and distinctive.

An homage to vintage Italian horror pictures, Hélène Cattet and Bruno Forzani's astonishing, fearlessly arty "Amer," which means "bitter" in French, is a bravura exploration of fear and desire, a visual tour de force composed of cropped images, strobe cuts, bizarre psychological twists and a steamy sensuality. Consistently outrageous and relentlessly surreal, the Belgian film is, intentionally or not, frequently funny; it's also compelling and distinctive. [...]

di Kevin Thomas, articolo completo (1714 caratteri spazi inclusi) su The Los Angeles Times 29 ottobre 2010