Take

Life Penalties

Late into “Take” comes a teasing suggestion that much of what we’ve seen thus far has been imagined, to some extent, in the minds of its ill-fated characters. Subjective or not, the movie is a bore and an eyesore. If there is anything the cinema needed less than another angst-ridden, cross-cutting tragedy about crime, fate, memory and redemption, it’s the kind shot in an ugly monochromatic palette suggesting a world drained of emotions and filmmakers parched of imagination. [...]

di Nathan Lee, articolo completo (1514 caratteri spazi inclusi) su The Village Voice 18 Luglio 2008