Sex, Blood and Exotica in an Anti-Thriller Thriller
di Manohla Dargis The New York Times
I’m fairly certain one reason that the French director Olivier Assayas made “Boarding Gate” is that he wanted to watch the Italian actress Asia Argento strut around in black underwear and punishing heels. And why not? Ms. Argento looks delectable if somewhat demented in “Boarding Gate,” in which she comes across as a postmodern Pearl White, who starred in silent adventure serials like “The Perils of Pauline.” Ms. Argento seems to invite trouble, and Mr. Assayas, who has a way of capturing the seemingly ineffable, has a thing for troubled, troubling women. [...]
di Manohla Dargis, articolo completo (6094 caratteri spazi inclusi) su The New York Times 21 marzo 2008
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