Jim

Michael Ordoña

The post-apocalyptic science-fiction head-scratcher "Jim," which seems to be about bioethics, unemployment, personal legacy, the healthcare system and — what? Humans without humanity? — provokes one dominant reaction: "Whaaa?" Told in intercut fragments from two eras, the film begins in a burned-out future principally populated by clones ("drones" might be more accurate, as they don't think independently) whose labor powers the city of "natural," genetically enhanced human survivors — only two of whom we see. [...]

di Michael Ordoña, articolo completo (1598 caratteri spazi inclusi) su The Los Angeles Times 15 ottobre 2010