Mystery Man on a Mission in Spain, Meeting Other Mystery People
di Manohla Dargis The New York Times
The walking man in “The Limits of Control,” a Minimalist exercise in the key of cool from Jim Jarmusch, wears through a lot of shoe leather during his feature-length tramp. One of cinema’s men with no names, credited only as the Lone Man, this peripatetic figure is played (and walked and walked) by Isaach De Bankolé with a determined gait and inscrutable gaze that initially reveal almost as little as the elliptical storytelling. Like Mr. Jarmusch, the Lone Man doesn’t share his intentions until he reaches the end. [...]
di Manohla Dargis, articolo completo (5456 caratteri spazi inclusi) su The New York Times 1 maggio 2009
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