Sorry, Your Body’s in My Windshield
di Stephen Holden The New York Times
There are no supernatural happenings, just people under extreme stress succumbing to their worst instincts, in Stuart Gordon’s grim, expert little thriller “Stuck.” Mr. Gordon has enjoyed a cult following since his 1985 horror hit, “Re-Animator.” And “Stuck,” while not strictly a horror film, is steeped in gore and carries a seam of mocking gallows humor as relentless as that of “Sweeney Todd.”
Set in the same seedy urban environment as Mr. Gordon’s faithful 2005 screen adaptation of David Mamet’s play “Edmond,” this largely two-character nightmare unfolds in the hellish tenderloin of Providence, R. [...]
di Stephen Holden, articolo completo (2811 caratteri spazi inclusi) su The New York Times nudity and sexual situations.
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