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What the Wind Blew In

“Gone With the Wind,” the quintessential Hollywood movie, has long deserved to be rescued from critical disdain and given its correct place among American pop masterpieces, like “The Godfather” and “On the Waterfront” and “E.T.,” that enlighten as much as they entertain. Molly Haskell provides that defense in “Frankly, My Dear: ‘Gone With the Wind’ Revisited,” an earnest work of moviegoer remembrance that’s also affectionate scholarship. Haskell’s argument is mounted on feminist principles that at first glance seem antithetical to a film widely regarded as prefeminist fluff. [...]

di Armond White, articolo completo (11539 caratteri spazi inclusi) su The New York Times 27 Marzo 2009