di Manohla Dargis The New York Times
In the new comedy “Baby Mama”Tina Fey plays a 37-year-old single career woman who, desperate for a baby, hires a womb of her own in the dizzy, slap-happy form of Amy Poehler. The film never comes fully to term, as it were: the visual style is sitcom functional, and even the zippiest jokes fall flat because of poor timing. But, much like the prickly, talented Ms. Fey, it pulls you in with a provocative and, at least in current American movies, unusual mix of female intelligence, awkwardness and chilled-to-the-bone mean.
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di Carina Chocano The Los Angeles Times
Is Tina Fey, former head writer for "Saturday Night Live" and creator and star of one of the best shows on television, "30 Rock," going to get hit with a knee-jerk media backlash now? It could happen, given the blood-thirst that motivates so much cultural writing these days and, of course, her "convention-defying" success. I'm never quite sure that the conventions defied are real rather than media-made, but whether her new comedy "Baby Mama" blows up or is quickly ushered off the national stage like a grateful documentarian at the Academy Awards, it's a pretty safe bet that Fey's exotic status as a funny, smart woman over 35 will be cited.
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Il diario percettivo di Gabriele Salvatores (III)
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