Dave Kehr
The New York Times
F. W. Murnau had already left for Hollywood to make “Sunrise” when his final German film, a lavishly budgeted adaptation of the Faust legend, was released to the international market in 1926. Seven different negatives, created for different countries and featuring different takes, different editing and different intertitles, are known to exist. For once the American export version appears to be the most authoritative, Murnau having absconded to the States with what he considered the best footage. [...]
di Dave Kehr, articolo completo (2678 caratteri spazi inclusi) su The New York Times 15 marzo 2009
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