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Godmother of Punk, Celebrator of Life
di Manohla Dargis The New York Times
You may not learn everything you want to know in “Patti Smith: Dream of Life,” an impressionistic portrait of that punk godhead, but you learn just about everything you need. Created over a heroic 11 years, it was directed and mostly shot by Steven Sebring, a high-end commercial photographer whose perseverance and conspicuous unfamiliarity with, or disregard for, the conventions of nonfiction cinema (not to mention the apparently deep-enough pockets that freed him to follow his own muse) have inspired a lovely, drifty first feature that feels less like a documentary and more like an act of rapturous devotion. [...]
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