A French Resistance of Another Sort
di Manohla Dargis The New York Times
In many respects the title character played by Jean-Paul Belmondo in the black-and-white 1961 drama “Léon Morin, Prêtre” looks like a typical Jean-Pierre Melville tough, at least from the chin up. There are the darting eyes, at once crystalline and unreadable, and the pillowy mouth that alternately seduces and punishes. Most of all there is that nose, a great squashed appendage that sits on the actor’s long face like a threat and a dare, and on which you can almost see the traces of violently thrown balls and fists. [...]
di Manohla Dargis, articolo completo (5573 caratteri spazi inclusi) su The New York Times 17 Aprile 2009
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