speak, all while over-explaining the tribulations she faces adjusting to her new life.
di Sheri Linden The Los Angeles Times
Like countless misunderstood mistresses, the title character of The Other Woman didn't set out to wreck an already busted home. Nor did she shy away from her love for a married man.
Now, on the other side of the looking glass, she's ostracized by elementary-school mothers for being a "second wife" and for not conforming to the new-millennial, uptown Manhattan ideal of child-rearing. She's also grappling with capital-G grief over the death of a newborn, trying to forge a bond with her precocious stepson and struggling to save her marriage. [...]
di Sheri Linden, articolo completo (2352 caratteri spazi inclusi) su The Los Angeles Times 4 febbraio 2011
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