Out of Warhol’s Inner Circle Into the Void
di A. O. Scott The New York Times
Twenty years after his death, Andy Warhol continues to exert a powerful, almost queasy fascination, not only because of his work — which has proven more durable and interesting than it may have seemed before — but also because of the enigma of his personality. He has become a recurrent figure in movies, documentary and otherwise, where he is often inscrutable and vaguely sinister, a watchful predator in relation to the young people who surrounded him in the 1960s Factory days.
The idea of Warhol as a corrupter and destroyer of innocence was fairly overt in George Hickenlooper's “Factory Girl,” which starred Sienna Miller as Edie Sedgwick, a well-born New Englander who appeared in some of Warhol's films. [...]
di A. O. Scott, articolo completo (2393 caratteri spazi inclusi) su The New York Times 14 dicembre 2007
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