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The 'godmother of punk' is chronicled in 11 years of a friend's home-movie-like footage
di Carina Chocano The Los Angeles Times
Steven Sebring's "Patti Smith: Dream of Life" is a dream of a movie; gauzy, free-associative and reverberant. Shot over 11 years by a commercial photographer who befriended the poet, rock star, activist and "godmother of punk" in the mid-'90s, when Smith returned to New York following the death of her husband, it drifts and floats between footage of her as a young woman in the '60s and '70s and rambling home-movie-like footage of her life today.
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