Wives'Tales
di Anthony Lane The New Yorker
Halfway through dinner, in “The Kids Are All Right,” Nic finds out that she has been betrayed. Without warning, other people’s talk dies away, to be replaced by a strange churning sound, like an underwater helicopter. The sensory world is warped by the force of her feelings. Take that deformation, multiply it a hundredfold, and you approach the eruptive mania that consumes the hero of “Inferno,” Henri-Georges Clouzot’s film—or remarkable stab at a film—from 1964. Marcel (Serge Reggiani) runs a lakeside hotel in France with his wife, Odette (Romy Schneider), although his true occupation is jealousy. [...]
di Anthony Lane, articolo completo (3819 caratteri spazi inclusi) su The New Yorker 12 luglio 2010
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