A Dust-to-Dust Attachment Till Salary Did Them Part
di A. O. Scott The New York Times
“Live-In Maid,”Jorge Gaggero's remarkably assured first film, examines the complicated relationship between Beba (Norma Aleandro) and Dora (Norma Argentina), an upper-class Buenos Aires woman and her longtime housekeeper. The two women share a roomy apartment, which Dora keeps in immaculate order while Beba primps and sighs like an opera diva with an audience of one, or the queen of a small, secret nation.
The intimacy between them is largely unspoken but is nonetheless implicit in nearly every scene. [...]
di A. O. Scott, articolo completo (3667 caratteri spazi inclusi) su The New York Times 18 Luglio 2007
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