Repressed Desires and Sexual Frankness
di Laura Kern The New York Times
Set over three days, Good Friday through Easter Sunday, and filmed in just as few, Sebastián Lelio’s raw, largely improvised “Sacred Family” initially looks as if it were photographed by a 5-year-old.
Yet after that unpromising start, the Chilean film’s off-putting, sometimes dizzying visual style — shaky, fast-moving hand-held camerawork and heavy use of close-ups — settles down enough to reveal elements of absorbing drama, layered with black humor and rare sexual and emotional frankness. [...]
di Laura Kern, articolo completo (1457 caratteri spazi inclusi) su The New York Times 9 novembre 2007
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