Hearing Things
di David Denby The New Yorker
Clint Eastwood’s “Hereafter” begins with a magnificent re-creation of the 2004 tsunami as it hits an unnamed resort town in Southeast Asia. An initially receding ocean returns as a thick, unstoppable wave that surges ashore and rushes down a street, washing away buildings, tossing cars as if they were sticks, and knocking down a French tourist, Marie (Cécile de France), who then gets clobbered by a piece of metal and appears to be sinking to her death. The sequence was brought off with a combination of actual ocean waves, watery turmoil in a film-studio tank, and digital enhancement, and it entirely overwhelms the rather pallid movie that follows. [...]
di David Denby, articolo completo (6237 caratteri spazi inclusi) su The New Yorker 18 ottobre 2010
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