Il padre dei miei figli

Family Matters

From the fact that the hero drives a car with a cell phone in one hand, a cigarette in the other, no hands on the wheel, and no seat belt, it can swiftly be deduced that “The Father of My Children” is a French film. At one superb moment, he even has two phones on the go, in order to check a text while he talks. After the cops pull him over for speeding, at night, and arrest him, he seems not just unsurprised but undismayed, proudly making light of the situation when his wife—also in a perfectly good mood—comes to fetch him from the police station. [...]

di Anthony Lane, articolo completo (6464 caratteri spazi inclusi) su The New Yorker 7 giugno 2010