Parigi

A Sick Man Embracing a City’s Life, Just as His Own Is Threatened

In “Paris,” Cédric Klapisch’s sumptuous Gallic comedy, the camera, whether surveying the landmarks from on high or peering out of an apartment window at the passing parade, becomes a surrogate for a first-time visitor to the City of Light. Both a Parisian answer to Woody Allen’s “Manhattan” and a multicharacter mosaic in the mode of Robert Altman’s “Short Cuts,” the movie sprawls invitingly across the screen like a glowing Impressionist painting. Instead of George Gershwin, Erik Satie supplies the signature music. [...]

di Stephen Holden, articolo completo (4710 caratteri spazi inclusi) su The New York Times 18 settembre 2009