Forging Artistic Identity in Swords of Old China
di Manohla Dargis The New York Times
There is no such thing as the end when it comes to a Wong Kar-wai film, or so it seems. Famous or notorious, depending on who's writing the checks or spinning the spin, Mr. Wong has a long-nurtured reputation for taking his time when it comes to making movies. His romance “2046” was at least five years in the making and still unfinished when it had its scandalously delayed screening at the 2004 Cannes Film Festival. His 1994 swordsman film, “Ashes of Time,” a delirious swirl of color and blinding star wattage — both Tony Leungs, Brigitte Lin, Maggie Cheung, Carina Lau and Leslie Cheung! — was two years in the making, though given Mr. [...]
di Manohla Dargis, articolo completo (3844 caratteri spazi inclusi) su The New York Times 10 Ottobre 2008
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