Clues to the Killings May Be Optical Illusions
di Manohla Dargis The New York Times
The serial killer in “Anamorph” shows promise, even if some of his best moves are derivative. The same is true of the film’s director, H. S. Miller, who, in making his feature debut, conjures up a nightmarish atmosphere of dread that owes obvious debts both to David Lynch (particularly the later work) and to John McNaughton (namely his notorious horror show, “Henry: Portrait of a Serial Killer”). Mr. Miller and his co-writer, Tom Phelan, manage to get under your skin largely with borrowed implements, though they receive solid support from Willem Dafoe and the resourceful veteran cinematographer Fred Murphy. [...]
di Manohla Dargis, articolo completo (3787 caratteri spazi inclusi) su The New York Times 18 aprile 2008
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