Oh, for the Blood of Pete! (Slashing Away at Love)
di Stephen Holden The New York Times
It seems doubtful that “Surveillance,” a would-be transgression that tries to squeeze dark laughs from the spectacle of human suffering, would be taking up space in theaters if its director were not the daughter of a name filmmaker. Jennifer Lynch, spawn of David, has made one other feature, a 1993 botch-up titled “Boxing Helena,” about a surgeon who turns the object of his desire into his own Venus de Milo by amputating her healthy legs and arms. In an interview before its release, Ms. Lynch gushed that “obsessive love is like a series of amputations as you steal from one another. [...]
di Stephen Holden, articolo completo (3052 caratteri spazi inclusi) su The New York Times 26 giugno 2009
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