A Tapestry of Symbols and Animosities
di Stephen Holden The New York Times
In “Adoration,” a profound and provocative exploration of cultural inheritance, communications technology and the roots and morality of terrorism, the Canadian filmmaker Atom Egoyan nimbly wades into an ideological minefield without detonating an explosion.
Its story of a high school class assignment that becomes a minor cause célèbre is a rigorously structured variant of the everything-is-connected-to-everything school of filmmaking that has produced movies like “Babel” and “Crash.”
But unlike those movies “Adoration,” Mr. [...]
di Stephen Holden, articolo completo (5260 caratteri spazi inclusi) su The New York Times 8 maggio 2009
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