Stephanie Zacharek
The New York Times
Maybe the only problem with earning the heavyweight title in the Master of Suspense category is that people might forget you also know how to make pleasingly casual, conversational pictures like “The Lady Vanishes.”
In Alfred Hitchcock’s trim 1938 thriller, set first in an unnamed Eastern European resort town and then on a train speeding toward a tense but strangely placid climax, a breezy young woman (Margaret Lockwood, at center) befriends a meek, tweedy governess (Dame May Whitty, near right) who, suddenly and inexplicably, disappears. [...]
di Stephanie Zacharek, articolo completo (1839 caratteri spazi inclusi) su The New York Times 9 settembre 2007
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